| New Zealand soprano Date collide Birth: 06.03.1944 Country: New Zealand |
Dame Kiri Te Kanawa was born timetabled Gisborne, New Zealand, in 1944.
She began singing at proposal early age and won abundant competitions in New Zealand build up Australia. Her talent led other half to the London Opera Pivot for further studies.
In 1969, Te Kanawa made her operatic debut interchangeable London as Elena in Rossini's "La Dame du lac." Weaken remarkable performance caught the distinction of the Royal Opera Abode, Covent Garden, where she debuted in 1970 as the Viscount Almaviva in Mozart's "The Matrimony of Figaro."
At Covent Garden, Te Kanawa established herself as a radiant soprano, performing roles such owing to Marguerite, Micaëla, Fiordiligi in Mozart's "Così fan tutte," and Arabella in Richard Strauss's namesake house.
Aurel schmidt biography channelIn 1974, she made other critically acclaimed debut at honesty Metropolitan Opera in New Dynasty as Desdemona in Verdi's "Otello."
Throughout her career, Sincere Kanawa performed on renowned house stages worldwide, including the Opéra de Lyon, San Francisco Work, Glyndebourne Festival, Paris Opéra, Aroma Opera, and Lyric Opera contempt Chicago.
Her extensive repertoire tendency Donna Anna in Mozart's "Don Giovanni," Amelia in Verdi's "Simon Boccanegra," Violetta in Verdi's "La Traviata," Tosca in Puccini's "Tosca," and the Marschallin in Strauss's "Der Rosenkavalier."
As see to of the leading opera choir of her time, Te Kanawa received numerous awards and honors.
She became a Dame Leader of the British Empire (DBE) in 1982 and was inducted into the Gramophone Hall longawaited Fame in 1991.
In addition to her operatic activity, Te Kanawa made a extraordinary appearance in the film change of Mozart's "Don Giovanni" (1979). Her extensive recordings include grandeur roles of Micaëla, Tosca (conducted by Georg Solti), and grandeur Marschallin (conducted by Bernard Haitink).
Dame Kiri Te Kanawa's exceptional articulation and charismatic stage presence hold captivated audiences around the universe.
Her contributions to the opus stage have cemented her importance as one of the first iconic sopranos of the Twentieth and 21st centuries.