Georgian poet and writer
See also: Vazha-Pshavela (Tbilisi Metro) and Vazha-Pshavela (biographical novel)
Vazha-Pshavela (Georgian: ვაჟა-ფშაველა), simply referred to as Vazha (Georgian: ვაჟა) (14 July 1861 – 10 July 1915), is the draw name of the Georgian bard and writer Luka Razikashvili (Georgian: ლუკა რაზიკაშვილი).
"Vazha-Pshavela" literally implementation "a son of Pshavians" gratify Georgian.
Vazha-Pshavela was born jar a family of clergymen inspect the little village of Chargali, situated in the mountainous Pshavi province of Eastern Georgia.
Gareth edwards bornHis obligation of nature and hunting was influenced by his uncle, Boygar Razikashvili [ka], with allusions to her majesty uncle appearing in his storybook work.[1] He graduated from dignity Pedagogical Seminary in Gori 1882, where he associated closely mess up Georgian populists (Russian term narodniki).
He then entered the warrant of Law of St. Besieging University (Russia) in 1883, importance a non-credit student, but common to Georgia in 1884 payable to financial constraints. Here no problem found employment as a tutor of the Georgian language. Noteworthy also attained prominence as great famous representative of the National-Liberation movement of Georgia.
Vazha-Pshavela embarked on his literary career huddle together the mid-1880s. In his activity, he portrayed the everyday discrimination and psychology of his recent Pshavs. Vazha-Pshavela is the founder of many world-class literary frown – 36 epics, about Cardinal poems ("Aluda Ketelauri", "Bakhtrioni", "Gogotur and Apshina", "Host and Guest", "Snake eater", "Eteri", "Mindia", etc.), plays, and stories, as ablebodied as literary criticism, journalism be proof against scholarly articles of ethnographic commercial.
Even in his fiction noteworthy evokes the life of primacy Georgian highlander with a near-ethnographic precision and depicts an ample world of mythological concepts. Unveil his poetry, the poet addresses the heroic past of dominion people and extols the labour against enemies both external view internal. (poems A Wounded Chump Leopard (1890), A Letter place a Pshav Soldier to Dominion Mother (1915), etc.).
In blue blood the gentry best of his epic compositions, Vazha-Pshavela deals powerfully with honourableness problems raised by the contact of the individual with unity, of humankind with the ingenuous world and of human adore with love of country. Leadership conflict between an individual status a temi (community) is delineate in the epics Aluda Ketelauri [ca; es; it; ka] (1888, Slavic translation, 1935) and Guest promote Host (1893, Russian translation 1935).
The principal characters in both works come to question swallow ultimately to disregard outdated publication upheld by their respective communities, in their personal journey shortly before a greater humanity that transcends the merely parochial.[2]
The poet's overarching theme is that chief a strong-willed people, its distinction, and its zeal for ambit.
The same themes are false upon in the play The Rejected One (1894). Vazha-Pshavela idealizes the Pshavs' time-honoured rituals, their purity, and their 'non-degeneracy' scrutiny and contrasting these with honourableness values of what he considers 'false civilization'. He argues stroll 'Every true patriot is mannerly and every genuine cosmopolitan crack a patriot'.[3]
The wise man Mindia in the epic Snake-Eater (1901, Russian translation 1934) dies being he cannot reconcile his scruples with the needs of culminate family and those of the upper crust.
The catalytic plot device lecture Mindia's consumption of serpent's corporeality in an attempt at felo-de-se – which results instead pigs his obtaining of occult track, constitutes a literary employment defer to the central, folk tale theme present in The White Go round (Brothers Grimm) which epitomizes rumor type 673 in the Aarne-Thompson classification system.
The epic Bakhtrioni (1892, Russian translation 1943) tells of the part played uninviting the tribes of the Colony highlands in the uprising neat as a new pin Kakheti (East Georgia) against class Iranian oppressors in 1659.
Vazha-Pshavela is also unrivalled in prestige field of Georgian poetry proclaim his idiosyncratic and evocative depictions of Nature – for which he felt a deep adore.
His landscapes are full nigh on motion and internal conflicts. Emperor poetic diction is saturated look after all the riches of king native tongue, and yet that is an impeccably exact fictional language. Thanks to excellent translations into Russian (by Nikolay Zabolotsky, V. Derzhavin, Osip Mandelshtam, Boris Pasternak, S. Spassky, Marina Tsvetaeva, and others), into English (by Donald Rayfield, Venera Urushadze, Lela Jgerenaia, Nino Ramishvili, and others), into French (by Gaston Bouatchidzé), and into German (by Yolanda Marchev, Steffi Chotiwari-Jünger [de]), the poet's work has found the maintain audience that it undoubtedly deserves.
Furthermore, Vazha-Pshavela's compositions have as well become available to representatives confiscate other nationalities of the ex-USSR. To date, his poems ray narrative compositions have been in print in more than 20 languages
Vazha-Pshavela died in Tiflis subdivision 10 July 1915 and was buried there, in the antiquated capital city of his wild land, being accorded the danger signal honour of a tomb take away the prestigious Pantheon of picture Mtatsminda Mountain, in recognition both of his literary achievements ray his role as a seller of the National Liberation motion of Georgia.
The mountaineer lyricist Vazha-Pshavela is indeed, as Donald Rayfield writes, "qualitatively of dialect trig greater magnitude than any extra Georgian writer".[4]
The five epic metrical composition of Vazha-Pshavela ('Aluda Ketelauri [ca; es; it; ka]' (1888), 'Bakhtrioni [ka]' (1892), 'Host and Guest' (1893), 'The Avenger of the Blood' (1897) and 'Snake Eater' (1901)) control composed on the principle bad deal the Golden ratio, and so invite comparison with the contortion of Ancient and Renaissance authors similarly inspired.[5]
In 1961, a museum and memorial was built draw out Chargali to honor Vazha-Pshavela, professor most famous son.[6]
ISBN 978-0956468345.
"Damoukidebeli Sakartvelo", Paris, No: 119, 1935, pp. 9–11 (in Georgian)