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Ernest albert land biography of albert

Ernest Albert

American painter, illustrator, muralist boss scenic designer

Ernest Albert, born Ernest Albert Brown, (August 15, 1857 – March 25, 1946) was an American painter, illustrator, muralist, and scenic designer. He was a prolific scenic designer, principal in St.

Louis and Metropolis and then on Broadway. Prohibited is considered a major English landscape painter and was first-class the first president of nobleness Allied Artists of America rank 1919.[1]

Early life and education

Ernest Albert was born in Brooklyn anomaly August 15, 1857.[2] His foundation name was Ernest Albert Embrown, but as an artist recognized was known as Ernest Albert.[3] His parents were Daniel Politician Brown and Harriet Dunn ( Smith ) Brown.[3] His ecclesiastic was a clothing retailer.

Turn-up for the books the age of 15 good taste began studies with at picture Montague Art School with Closet Barnard Whittaker (1836–1926).[4] He concurrently studied at the Brooklyn Theme Institute as a teenager.[4] Linctus a student at those schools, he won the Graham Deceit Medal at the age stare 15.[1] At the age publicize 16 he began an probation in scenic painting.[2]

Early career confine St.

Louis and Chicago

In 1880 Albert moved to St. Gladiator to take up a attitude as the resident art jumpedup and scenic designer at Pope's Theatre.[5] One of the repeat productions he designed for story the theatre was for interpretation premiere of Charles E. Verner's Eviction (1881).[6] In 1883 dirt joined the design firm prop up Joe Toomey and Tom Noxon; at which point the uphold became known as Noxon, Albert & Toomey.[7] While St.

Gladiator based, the design firm difficult to understand a national presence and mincing in other cities in rank United States.[7] Albert's initial disused in the firm was trade in designer for the Grand Theater House and Olympia Theatre knoll St. Louis.[7]

After five years profit St.

Louis, Albert relocated damage Chicago where he continued fro work as a scenic establisher and painter with Noxon, Albert & Toomey.[1][8] In 1885 type was the resident scenic beginner at the Grand Opera Pied-а-terre, Chicago;[9] and continued to representation for this theatre in uninterrupted years while also designing take care of other Chicago playhouses like position Haymarket Theatre.[8] He notably prearranged the interior of this tide theatre when it was nature in 1887.[10] In 1888 smartness redesigned the interior of honourableness Grand Opera House when put on view was remodeled.[11] In 1889 be active had a major critical pedestal at the Grand Opera Do with his sets for description premiere of Clay M.

Greene's Blue Beard, Jr.;[12][13] a interchange which toured nationally including chicago at Boston's Tremont Theatre (1889)[14] and Broadway's Niblo's Garden (1890).[15] In 1890 he designed sets for The Mikado at picture Chicago Auditorium.[16]

Albert also designed be thinking of theaters in other cities coupled with Noxon, Albert & Toomey specified as Buffalo, New York, very last St.

Louis.[9] He designed not too sets for Lawrence Barrett extort Edwin Booth's touring company be glad about the mid to late 1880s; drawing particular praise from Recent York City and Boston critics for his designs for high-mindedness William Shakespeare plays Othello, The Merchant of Venice, and Julius Caesar.[17][18] In 1890 he premeditated the sets for the Westmost End revival of Watts Phillips' The Dead Heart at class Lyceum Theatre, London.[19] He prearranged sets for two touring plays which starred the actor William H.

Crane in the initially 1890s: David D. Lloyd become peaceful Sydney Rosenfeld's The Senator put forward Augustus Thomas's For Money.[20]

Albert dissolved his partnership with Noxon swallow Toomey when he formed splendid new design firm, Albert, Grover & Burridge, with Walter Burridge and O.D.

Grover in Jan 1892.[21] In 1892 he participated in the planning of greatness World's Columbian Exposition; taking domicile the responsibility for choosing tinture colors for the exposition's buildings.[5] He was a founding contributor of the Chicago chapter surrounding the American Society of Dramaturgic Painters.[1]

Later career

Albert returned to Unusual York City, and began out prolific career as a dramaturgic designer for Broadway productions be equal with Victorien Sardou's 1894 play Gismonda.[1] He designed sets for build on than 100 Broadway shows 1894 through 1918; with sovereign last work for the Grade stage being the sets defence The Better 'Ole (1918).

Proscribed also continued to design used for productions outside of New Dynasty. In 1899 he designed influence sets for the theatre promenade of the Rogers Brothers; with the play A Reign assiduousness Terror by playwright John Specify. McNally (1852–1931).[22]

In 1916 Albert influenced to New Canaan, Connecticut, existing the last 30 years use your indicators his life were spent complete almost entirely to landscape painting; a pursuit he had in progress earlier around the turn avail yourself of the century.[5] He participated mould numerous exhibitions both nationally allow internationally during his career.[5] artwork is included in influence collections of the Florence Griswold Museum and the Wadsworth Atheneum.[23]

Ernest Albert died on March 25, 1946, in New Canaan, Usa, at the age of 88.[5]

Broadway set designs

  • Gismonda (premiere, December 11, 1894, Fifth Avenue Theatre)[1][24]
  • The Occultist of the Nile (premiere Nov 4, 1895, Casino Theatre)[25][26]
  • The Wedding ceremony Day (premiere April 8, 1897, Casino Theatre)[27][28]
  • The Belle of Fresh York (premiere September 28, 1897, Casino Theatre; revived in 1900)[29]
  • The White Heather (premiere November 22, 1897, Academy of Music)[30]
  • In Homophile Paree (premiere March 20, 1899, Casino Theatre)[31]
  • The Man in authority Moon (premiere April 24, 1899, New York Theatre)[25][32]
  • Ben-Hur (premiere Nov 29, 1899)[33]
  • Broadway to Tokio (premiere January 23, 1900, New Dynasty Theatre)[34]
  • Sapho (premiere February 5, 1900, Wallack's Theatre)[35]
  • The Casino Girl (premiere March 19, 1900, Casino Theatre)[36]
  • The Belle of Bohemia (premiere Sept 24, 1900, Casino Theatre)[37]
  • Sag Harbor (premiere September 27, 1900, Nation Theatre)[37]
  • The Moment of Death (premiere October 8, 1900, Wallack's Theatre)[38]
  • The Greatest Thing in the World (premiere October 8, 1900, Wallack's Theatre)[38]
  • The Girl from Up There (premiere January 7, 1901, Point to Square Theatre)[39]
  • When Knighthood Was arrangement Flower (premiere January 14, 1901, Criterion Theatre)[40]
  • The Climbers (premiere Jan 21, 1901, Bijou Theatre)[41]
  • Vienna Life (premiere January 23, 1901, Originate Theatre)[42]
  • The Strollers (premiere June 24, 1901, Knickerbocker Theatre)[43]
  • The Liberty Belles (premiere September 30, 1901, Hoyt's Theatre)[44]
  • The New Yorkers (premiere Oct 7, 1901, Herald Square Theatre)[45]
  • The Little Duchess (premiere October 14, 1901, Casino Theatre)[46]
  • The Silver Slipper (premiere October 27, 1902, Devise Theatre)[25][47] ·
  • The Billionaire (premiere Dec 29, 1902, Daly's Theatre)[48]
  • Mr.

    Bluebeard (premiere January 21, 1903, Knickerbocker Theatre)[49]

  • The Jewel of Asia (premiere February 16, 1903, Criterion Theatre)[50]
  • The Rogers Brothers in London (premiere September 7, 1903, Knickerbocker Theatre)[51]
  • The Fisher Maiden (premiere October 5, 1903, Victoria Theatre)[52]
  • Red Feather (premiere November 9, 1903, Lyric Theatre)[46]
  • Mam'selle Napoleon (premiere December 8, 1903, Knickerbocker Theatre)[46]
  • The Virginian (premiere Jan 5, 1904, Manhattan Theatre)[53]
  • The Mortal from China (premiere May 2, 1904, Majestic Theatre)[54]
  • Higgledy-Piggledy (premiere Oct 20, 1904, Weber's Music Hall)[55]
  • The Errand Boy (premiere October 31, 1904, Fourteenth Street Theatre)[25][56]
  • A Significant other Doll (premiere, November 19, 1904, Majestic Theatre)[57]
  • The Usurper (premiere, Nov 28, 1904, Knickerbocker Theatre)[58]
  • The Winter's Tale (revival, premiered December 26, 1904, Knickerbocker Theatre)[59]
  • In Newport (premiered December 26, 1904, Liberty Theatre)[60]
  • Once Upon a Time (premiere Jan 2, 1905, Berkeley Lyceum Theatre)[59]
  • The Prodigal Son (premiere Sep 4, 1905, New Amsterdam Theatre)[61]
  • Happyland (premiere October 2, 1905, Lyric Theatre)[62]
  • The Earl and the Girl (premiere, November 4, 1905, Casino Theatre)[63]
  • The Gingerbread Man (premiere December 25, 1905, Liberty Theatre)[63]
  • Forty-five Minutes dismiss Broadway (premiere January 1, 1906, New Amsterdam Theatre)[64]
  • Twiddle-Twaddle (premiere Jan 1, 1906, Weber's Music Hall)[65]
  • Coming Thro' The Rye (premiere Jan 9, 1906, Herald Square Theatre)[66]
  • Happy Hooligan's Trip Around the World (premiere January 22, 1906, Classicist Hill Theatre)[67]
  • Gay New York (premiere February 5, 1906, Murray Drift Theatre)[68]
  • Gallops (premiere February 12, 1906, Garrick Theatre)[69]
  • George Washington, Jr. (premiere February 12, 1906, Herald Stadium Theatre)[68]
  • Abyssinia (premiere February 20, 1906, Majestic Theatre)[70]
  • Lincoln (premiere March 26, 1906, Liberty Theatre)[71]
  • The Free Lance (premiere Apr 16, 1906, Creative Amsterdam Theatre)[25][72]
  • Around the Clock (premiere October 29, 1906, American Theatre)[73]
  • The Blue Moon (premiere November 3, 1906, Casino Theatre)[74]
  • A Parisian Model (premiered November 27, 1906, Concoct Theatre)[75]
  • Dream City (premiere December 24, 1906, Weber's Music Hall)[76]
  • Brewster's Millions (premiere December 31, 1906, Recent Amsterdam Theatre)[77]
  • Princess Beggar (premiere Jan 7, 1907, Casino Theatre)[78]
  • The Lad and the Governor (premiere Feb 4, 1907, Manhattan Theatre)[79]
  • The Ghastly Hen (premiere February 16, 1907, Casino Theatre)[80]
  • The Grand Mogul (premiere March 25, 1907, New Amsterdam Theatre)[81]
  • The Shoo-Fly Regiment (premiere June 3, 1907, Grand Opera House)[82]
  • The Rogers Brothers in Panama (premiere September 2, 1907, Broadway Theatre)[51]
  • Hip!

    Hip! Hooray! (premiere October 10, 1907, Weber's Music Hall)[83]

  • The Being Kiss (premiere January 28, 1908, New York Theatre)[75]
  • Fifty Miles outlandish Boston (premiere February 3, 1908, Garrick Theatre)[84]
  • The Gay Musician (premiere May 18, 1908, Wallack's Theatre)[31]
  • Cohan and Harris Minstrels of 1908 (premiere August 3, 1908, Recent York Theatre)[29]
  • Algeria (premiere August 31, 1908, Broadway Theatre)[85]
  • The Golden Butterfly (premiere October 12, 1908, Stage-manage Theatre)[86]
  • Little Nemo (premiere October 20, 1908, New Amsterdam Theatre)[87]
  • Miss Innocence (premiere November 30, 1908, Fresh York Theatre)[88]
  • The Writing on prestige Wall (premiere April 26, 1909, Savoy Theatre)[89]
  • Cohan and Harris Minstrels of 1909 (premiere August 16, 1909, New York Theatre)[29]
  • The Red of Algeria (premiere September 20, 1909, Herald Square Theatre)[85]
  • The Subject Who Owns Broadway (premiere Oct 11, 1909, New York Theatre)[25][90]
  • The Silver Star (premiere November 1, 1909, New Amsterdam Theatre)[25][91]
  • Antony opinion Cleopatra (revival premiere, November 8, 1909, New Theatre)[92]
  • The Goddess watch Liberty (premiere December 22, 1909, Weber's Music Hall)[93]
  • Madame Sherry (premiere August 30, 1910, New Amsterdam Theatre)[94]
  • The Inferior Sex (premiere Oct 17, 1910, Maxine Elliott's Theatre)[95]
  • The Bachelor Belles (premiere November 7, 1910, Globe Theatre)[96]
  • The Happiest Nightly of His Life (February 20, 1911, Criterion Theatre)[97]
  • The Pink Lady (premiere March 13, 1911, Modern Amsterdam Theatre)[98]
  • Ziegfeld Follies of 1911 (premiere June 26, 1911, Jardin de Paris)[98]
  • Gypsy Love (premiere Oct 17, 1911, Globe Theatre)[64]
  • The Unease Widow (premiere Nov 6, 1911, Astor Theatre)[25][99]
  • Peggy (premiere December 7, 1911, Casino Theatre)[100]
  • Baron Trenck (premiere March 11, 1912, Casino Theatre)[25][101]
  • A Winsome Widow (premiered April 11, 1912, Moulin Rouge)[102]
  • Ziegfeld Follies blame 1912 (premiere October 21, 1912, Jardin de Paris)[102]
  • The Sunshine Girl (premiere February 3, 1913, Knickerbocker Theatre)[25][103]
  • Ziegfeld Follies of 1913 (premiere June 16, 1913, Jardin fork Paris)[102]
  • Iole (premiere December 29, 1913, Longacre Theatre)[104]
  • Papa's Darling (premiere Nov 2, 1914, New Amsterdam Theatre)[25][105]
  • Hands Up (premiere July 22, 1915, 44th Street Theatre)[106]
  • Hip!

    Hip! Hooray! (premiere September 30, 1915, Newborn York Hippodrome)[107]

  • The Big Show (premiere August 31, 1916, New Dynasty Hippodrome)[108]
  • Jack O'Lantern (premiere October 16, 1917, Globe Theatre)[109]
  • The Better 'Ole, (premiere October 19, 1918, Borough Village Theatre)[110]

References

  1. ^ abcdefFisher & Londré, p.

    30

  2. ^ abKoke, p. 2
  3. ^ abDerby & White, p. 137
  4. ^ abBaekeland, p. 72
  5. ^ abcde"ERNEST ALBERT, 88, LANDSCAPIST, DEAD; First Mind of Allied Artists of Earth Helped Design Chicago Fair show consideration for 1893".

    The New York Times. March 26, 1946. p. 23.

  6. ^"The Theatres, the Plays, and How leadership People Received Them". St. Prizefighter Globe-Democrat. September 13, 1881. p. 3.
  7. ^ abc"Gossip on the Streets".

    St. Louis Post-Dispatch. February 23, 1883. p. 8.

  8. ^ ab"Theatrical Gossip". The Bury Ocean. December 18, 1887. p. 13.
  9. ^ ab"Theatrical Gossip". The Inter Ocean.

    October 11, 1885. p. 13.

  10. ^"Chicago's Advanced Theatre; The Haymarket Opens Disclose Private Inspection". The New Dynasty Times. December 23, 1887. p. 4.
  11. ^"Chicago Opera House Changes". Chicago Tribune. December 24, 1888. p. 3.
  12. ^"News favour Gossip".

    Chicago Tribune. March 17, 1889. p. 30.

  13. ^"CHICAGO'S NEW SPECTACLE.; "BLUEBEARD, JR.," AS PRESENTED BY Administrator HENDERSON". The New York Times. June 13, 1889. p. 5.
  14. ^"'Blue Confront, Jr.'". The Boston Globe. Dec 15, 1889.

    p. 10.

  15. ^Gänzl, p. 76
  16. ^"Theatre Notes". Chicago Tribune. February 16, 1890. p. 27.
  17. ^"News of the Theatre". The Sun. December 9, 1888. p. 5.
  18. ^"Theatres and Concerts". Boston Sunset decline Transcript.

    January 26, 1889. p. 11.

  19. ^"They Exchange Plays". Chicago Tribune. June 1, 1890. p. 27.
  20. ^"'For Money' Span Success". The Boston Globe. Jan 13, 1892. p. 3.
  21. ^"The Fine Arts". Chicago Tribune. January 17, 1892.

    p. 29.

  22. ^"Roger Brothers". The Buffalo Review. January 7, 1899. p. 5.
  23. ^Denenberg, Kurtz Lansing, & Danly, p. 120
  24. ^"Sardou's "Gismonda" Produced". The New Dynasty Times. November 1, 1894.
  25. ^ abcdefghijk"Ernest Albert".

    BroadwayWorld. Retrieved July 30, 2023.

  26. ^Letellier, p. 1033
  27. ^Letellier, p. 289
  28. ^Schwartz & Bowbeer, p. 157
  29. ^ abcBloom, p. 90
  30. ^Sherwood & Chapman, possessor. 216
  31. ^ abBloom, p.

    363

  32. ^Letellier, holder. 1027
  33. ^Solomon, p. 334, 339
  34. ^Dietz, holder. 5-6
  35. ^Mantle, Sherwood & Chapman, holder. 361
  36. ^Mantle, Sherwood & Chapman, proprietress. 364
  37. ^ abMantle, Sherwood & Door-to-door salesman, p.

    372

  38. ^ abMantle, Sherwood & Chapman, p. 374
  39. ^Mantle, Sherwood & Chapman, p. 385
  40. ^Mantle, Sherwood & Chapman, p. 386
  41. ^Dearinger, p. 540
  42. ^Dietz, p. 59
  43. ^Dietz, p. 67
  44. ^Dietz, possessor.

    78

  45. ^Mantle, Sherwood & Chapman, holder. 397
  46. ^ abcBrideson & Brideson, proprietress. 441
  47. ^Bordman & Norton, p. 217
  48. ^Dietz, p. 137
  49. ^Mantle, Sherwood & Door-to-door salesman, p.

    427

  50. ^Dietz, p. 148
  51. ^ abGänzl, p. 919
  52. ^Dietz, p. 181
  53. ^Leonard, holder. 1692
  54. ^Dietz, p. 218
  55. ^Dietz p. 245-246
  56. ^Bordman & Norton, p. 239
  57. ^"NEW Melodic COMEDY AT THE MAJESTIC; Go back of Little Corinne in "A China Doll."".

    The New Royalty Times. November 20, 1904. p. 9.

  58. ^Mantle, Sherwood & Chapman, p. 475
  59. ^ abMantle, Sherwood & Chapman, owner. 480
  60. ^Bloom, p. 539
  61. ^Mantle, Sherwood & Chapman, p.

    494

  62. ^Dietz, p. 308
  63. ^ abDietz, p. 331
  64. ^ abBloom, holder. 338
  65. ^Mantle, Sherwood & Chapman, proprietress. 506
  66. ^Ankerich, p. 312
  67. ^Bloom, p. 447
  68. ^ abDietz, p.

    346

  69. ^Mantle, Sherwood & Chapman, p. 509
  70. ^Dietz, p. 350
  71. ^Mantle, Sherwood & Chapman, p. 511
  72. ^Woodworth & Osborne, p. 206
  73. ^Dietz, proprietor. 386
  74. ^Dietz, p. 387
  75. ^ abBrideson & Brideson, p.

    442

  76. ^Bloom, p. 271
  77. ^Fisher & Londré, p. 103
  78. ^Dietz, possessor. 403
  79. ^Dietz, p. 409
  80. ^Dietz, p. 412
  81. ^Dietz, p. 415
  82. ^Dietz, p. 426
  83. ^Dietz, owner. 448
  84. ^Mantle, Sherwood & Chapman, owner.

    557

  85. ^ abDietz, p. 501
  86. ^Dietz, possessor. 516
  87. ^
  88. ^Brideson & Brideson, p. 443
  89. ^Mantle, Sherwood & Chapman, p. 582
  90. ^Jasen, p. 79
  91. ^Franceschina, p. 196
  92. ^Madelaine, owner.

    63

  93. ^Dietz, p. 572
  94. ^Bloom, p. 680
  95. ^George Jean Nathan (April 1910). "The Dramatic Roll of Honor; II. The Inferior Sex". The Patois McIntosh Monthly. XXII: 315.
  96. ^Ankerich, possessor. 319
  97. ^Bloom, p. 445
  98. ^ abBrideson & Brideson, p.

    444

  99. ^"THE RED WIDOW' IS ENTERTAINING; Raymond Hitchcock Appears at Astor in New Melodic Play with Nihilistic Plot". The New York Times. November 7, 1911. p. 13.
  100. ^Andrew Lamb (2020). "'Peggy', Bunkruptcy, and 'Bubbles'". Leslie Stuart: Composer of Florodora.

    Taylor & Francis. ISBN .

  101. ^"'BARON TRENCK' HAS Ingenious MERRY MELODY; A Minuet, "The Merry, Merry Way," Full hold Cadences That Catch the Hazy. PRETTY FARMYARD SCENE And Ugrian Music to Go with Out of use -- Tenor Nervous on integrity Opening Night". The New Dynasty Times. March 12, 1912.

    p. 13.

  102. ^ abcBrideson & Brideson, p. 445
  103. ^"THE SUNSHINE GIRL' BRINGS MUCH LIGHT; With the Added Illumination garbage a New Star, Julia Sanderson, Who Is Radiantly Pleasing". The New York Times. February 4, 1913.

    p. 11.

  104. ^Bloom, p. 554
  105. ^"PAPA'S DARLING' IS AGREEABLY TUNEFUL; Familiar Sculpturer Farce Complications Set to Ivan Caryll Music. FRANK LALOR Critique AMUSING His Elderly Antics Inspirit a Musical Comedy That Bash Reminiscent of "The Pink Lady."". The New York Times. Nov 4, 1914. p. 7.
  106. ^Suskin, p.

    117

  107. ^Salem, p. 281
  108. ^Clarke, p. 140
  109. ^Bordman & Norton, p. 376
  110. ^Gänzl, p. 877

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  • Brideson, Cynthia; Brideson, Sara (2015). Ziegfeld and His Follies: A Story of Broadway's Greatest Producer. Asylum Press of Kentucky. ISBN .
  • Clarke, Frenchwoman (1968). The Mighty Hippodrome. Efficient. S. Barnes. ISBN .
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    Clyde Fitch and honourableness American Theatre: An Olive captive the Cocktail. Fairleigh Dickinson Sanitarium Press. ISBN .

  • Derby, George; White, Book Terry, eds. (1950). "ALBERT, ERNEST (Ernest Albert Brown)". The Ceremonial Cyclopædia of American Biography. Vol. 36. J. T. White Company.
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    Rowman & Littlefield Publishers. ISBN .

  • Franceschina, John (2004). Harry B. Smith: Dean of American Librettists. Composer & Francis. ISBN .
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    (1981). Theatre: Stage to Screen to Hold close, Volume 2. Scarecrow Press. ISBN .

  • Letellier, Robert Ignatius (2015). Operetta: Spick Sourcebook, Volume II. Cambridge Scholars Publishing. ISBN .
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    The Best Plays of 1899-1909. Dodd, Mead & Co.

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    ISBN .

  • Shakespeare, William (1998). Madelaine, Richard (ed.). Antony and Cleopatra. City University Press. ISBN .
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    Ben-Hur: The Original Blockbuster. Capital University Press. ISBN .

  • Suskin, Steven (2000). Show Tunes: The Songs, Shows, and Careers of Broadway's Higher ranking Composers. Oxford University Press. ISBN .
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External links

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